Four teams working across mixing, podcasts, and game audio. Their setup, in their words.
I've been mixing records for eighteen years. Amplify is the first tool that made client review a thing I actually look forward to rather than dread. Timestamped comments changed everything — no more "at about 1:42 or maybe 1:44" over email. A/B version compare is the specific feature I use every day.
Our studio does 40+ episodes a month across 8 clients. Amplify's client-side review links save me maybe 6 hours per week of "which draft is which" over email. It's paid for itself in the first fortnight. The Descript integration is a specific reason we stay — nothing else hooks in cleanly.
The live listening session got us to buy in. We're a small game audio team, our composer works remotely from Reykjavík. We do all our music-to-picture reviews on Amplify sessions now, and the composer says it feels closer to being in the room than any other tool she's used. Session recording means we never lose a decision.
I produce factual radio for the BBC and podcasts on the side. Amplify handles both. The commissioner reviews the same way whether it's a 28-minute Radio 4 doc or a 45-minute independent podcast. Stems review is a feature I didn't know I needed until I had it — being able to solo the interviewee's mic and comment specifically on their level, without also commenting on my music bed, is the whole game.
Free forever for two active projects. Upload stems, share a link, watch the notes come in on the waveform.